Forgive me father, for I have only watched one film this
week. It was late in the week and I realised that all I had consumed for the
past few days was the fourth season of Person of Interest – a show that
you primarily stick on in the background but end up restraining yourself from
punching yourself in the face over the slight nuances in your favourite
character’s speech pattern (I love you, Root, you do you).
The film that I picked out of all of the others on my list this
week was Everything Must Go, a film based on the short story “Why Don’t You Dance”
by Raymond Carver. It stars will Ferrell as Nick Halsey, a down-on-his-luck
salesman whose belongings are cast onto the lawn of his suburban home after his
wife changes the locks. The film touches on themes such as depression,
addiction and, ultimately, the struggle we all face when we are forced to think
of our regrets and failures. I'll warn you though, this
ain’t no Anchorman 3.
I love Will Ferrell in a straight role, whether it be a
broad rom-com (Stranger Than Fiction) or a bonkers indie (Casa de mi Padre).
His commitment to the role, as well as the movie, reflects all of his other
projects where he uses his everyman familiarity to connect with his audience. I’m
a sucker for a comedy actor in a serious role. Robin Williams, Whoopi Goldberg,
Chris Rock – those who can make you cry after making you laugh are always more
impressive than those who do the inverse. Compelling someone to take you
seriously after spending so long convincing them to do the total opposite is an
incredible feat and one that isn’t celebrated enough.
Is it as good as The Colour Purple? No, it obviously isn’t
as good as The Colour Purple, but we’re not comparing the two. Everything Must
Go is a charming film, co-starring my crush for all seasons Rebecca Hall and a
very small part from Glenn “IASIP’s Dennis Reynolds” Howerton, bringing
reflection and comic relief respectively. But my favourite part (read that as “the
bit that made me do a stealth cry into my t-shirt”) is completely down to Christopher
Jordan Wallace who plays Nick’s only friend in the world, Kenny, a stocky kid
who just wants to play baseball. He allows Ferrell’s privileged asshole have
his pity-party, but knows when it’s time to call a taxi home.
This film would never go on to win awards, but the
cinematography, script and acting are just enough to keep Ferrell in my good books.
Don’t let Jim Carrey in The Number 23 have paint comedians in the wrong light.
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